Are we under the sea again?

Kathryn V. Crabbe. 2012. Presence. Acrylic on canvas, 48 x 48 inches. Presence is unusual in that it's strictly acrylic on canvas, no pastel or charcoal was used. Presence is part of the Journey Into Intimacy Series; an abstract, expressionistic series of mixed media paintings exploring intimacy using symbolic forms found in nature. I posted this painting on Facebook and received these comments:

Love this, like a dream catcher with a pool of tears, vulnerable, pouring out. Are we under the sea again? Oyster. Pearl.

Recently, a painter friend asked me, "What were you thinking as you painted?" and I found myself waxing eloquent, which surprised me because it was the act itself of speaking aloud which helped me understand the 'why'.

To me, Presence depicts a mystical, other-worldly landscape with an ethereal glowing 'presence' or circular object which could represent the moon or the sun. Forcing myself to keep it simple and uncluttered I filled the negative space with a misty blend of creamy whites, smokey greys and aqua.

More paintings from this series can be viewed here.

Why I Create

Coral Room. Acrylicl & charcoal on canvas, 48 x 48 inches. © 2010 by Kathy Crabbe Here's something I wrote in my journal last week to shed a little light into my reasons for creating, for painting, and for being an artist. I also wrote it in preparation for an upcoming  exhibit of my work at Temecula's newest art gallery.

Why I create: I create simply for the love of becoming; like a talisman I mark my space, my canvas, the paper with my body, my marks and colours, not to say ‘look at me’, but as a holy act to awaken love, intimacy and healing – to become whole, not fragmented, to feel it all I paint all emotions, fear and love. I also paint bird imagery to free myself, to fly, to be free. I paint to regain my soul and the soul of my people that has been lost, repackaged and sold to the god of commerce.”

You can read my entire bio including my artist's statement here on my art site: http://www.kathrynvcrabbe.com/bio/

The painting above titled Coral Room will be on display at The Temecula Wine Country Gallery in Temecula, California's Wine Country this weekend. The opening reception will be March 2-4.

Sketching at Dorland Art Colony

On Sunday, March 4 you will find me, along with two artist groups: PNET, the Printmaker's Network and PAAR, the Plein Air Group of  Riverside County at the Dorland Art Colony's Spring Open House. We will be painting and sketching the scenery around this beautiful, quiet artist's retreat center from 1:30-4:30.

 

Portfolio: Journey Into Intimacy

2011 Journey Into Intimacy

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2010 Journey Into Intimacy

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2009 Journey Into Intimacy

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Artist Statement

I am interested in exploring contradictions abstractly by juxtaposing opposites to express multiple truths. Each painting and print is an exploration of intimacy, vulnerability, raw emotion and healing in line with the Divine Feminine.

The watery, responsive nature and quick drying time of acrylics expresses fleeting moods and fiery passions in brilliant color that blends, bleeds, drips and flows onto smooth, gessoed silk and wood.

The paintings are just large enough to capture huge and overpowering emotions using unusual tools like garden rakes, house painting brushes or my body pressed into the surface.

Nothing is pre-planned or sketched. The process itself leads the way no matter how long it takes. Sometimes one stroke can take hours of looking.

I hope this series inspires the discovery of hidden beauty.

Kathy Crabbe

Resume Blog: art-in-progress

Innocence Lost

Innocence Lost. Acrylic & pastel on masonite, 48 x 48 inches. © 2011 by Kathy Crabbe100 Words 5/24

It is amazing how one stroke of a brush or line of charcoal can exhilarate. Without over-thinking I let the painting itself guide me into new territory, Aries rising leads the way, until something unique and intriguing is discovered.

Sometimes a little insanity is a good thing...that's what art has taught me.

Amorphous forms arise from the murky deep. Sea creatures feed.

Art making requires supreme faith in one's humanity, or what's the point in living? Working alone we face ourselves - can you handle it? What kind of world do you want to create given a choice?

5/25

My painting dreams ME into being almost as if I don't exist until I paint it so. Sometimes I'd like them to be more political, but often they just don't care...their roots grow deeper, their consciousness primeval...a reminder of hidden depths we've yet to plunder.

Innocence lost, a forgotten melody, a charm, a far off friend, a sorrow buried...these marks I make a reminder.

Paintings I love: the Post Impressionists, Expressionism, the Fauves: Matisse, Gaugin, Kirchner, Nolde, Munch, Der Blaue Reiter, early 20th century Paris, woodcuts - raw emotions.

Where to go next? One false move it's ruined.

5/26

"No" to painting today. It's so perfect and sunny but paint it is and so I sit and stare and wait and ponder and write and dream and worry and wait and hem and haw and fiddle and fuss until the birds and the breeze and me are in synch then I close my eyes, take off my glasses, put down this pen.

Can things be easy just for once? Like having someone else sell my work so I can paint and printmake and write and Circle. Does there have to be a hard part. Can't we all flow?

5/27

What's the good of expressing emotions? Well, for the "armoured amazon" (Schierse Leonard), let down by an emotion-less father figure it spells hope for mankind and I do mean the 'man' part.

The fire that burns within must be released or else one dies from the inside. Commercializing art-making brings no joy or hope or spark to me. Creating and releasing. The trick takes place in the next act: the selling and marketing of the work - not my job, but like breadcrumbs to the wolf, my paintings are being discovered by the trickster who resides in each of us.

EXTRA BIT: Perhaps by facing and owning this trickster, this huckster of dime store dreams, we can save what's left of our culture and ourselves. If dreams are paintings let mine save nothing, not souls, not dreams, not minds, no escape from ourselves. So what's left? What's the point? There is no point. We've only got our own life to make a difference. How will you make a difference? The point is to go beyond everything and into new territory and yes, I'm sure it's been explored before, but for me it's new - that's where the thrill lies. New for me, is having faith in my work in and of itself and for no other reason other than that it exists and its good and its speaks to me.

I Won't Fear Love

Are we waking up and discovering "Our shoe's don't fit anymore?" I know we sometimes feel and pray that hope, excitement, peace and love are possible on a world wide scale and on a personal level.

As we travel deep, deep into the center of our souls we release little time bombs, tick, tick, ticking...just waiting to wake us up and then, when we're not even close to being ready, they explode forcing us to face and own up to our shadow, and accept the truth of who we are. So, how do we face our demons?

Do you ever have moments where time just stops and then goes backwards? Or is that just longing for what was?

'All time is now' - sometimes I like this idea, although I can't explain it. Early morning, for example takes me back in time which often makes me sad and may be why I avoid it.

And if I feel a rage I won't deny it I won't fear love.

Sarah McLachlan, Fumbling Towards Ecstasy

Musical Ambiance: Sarah McLachlan - Fumbling Towards Ecstasy, Ingrid Karklins - Anima Mundi